‘A masterclass in lesbian eroticism’: why Bound is my feelgood movie
The article discusses the film 'Bound' as a feelgood movie, highlighting its themes of lesbian eroticism and complex female characters. It emphasizes the chemistry between the leads, Corky and Violet, and their journey through crime and love. The film is noted for its portrayal of a masc/femme dynamic and the struggles of queer identity within a heterosexual society.
- ▪Bound is a 1996 film directed by the Wachowski sisters that explores a romantic thriller between a plumber and a mafia moll.
- ▪The film features strong performances by Gina Gershon as Corky and Jennifer Tilly as Violet, showcasing a palpable chemistry.
- ▪The plot revolves around a heist, but the emotional connection and exploration of queer identity take center stage.
The Guardian — Film publishes from United Kingdom and files mainly under film tv. We currently carry 17 of its stories.
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| Original publisher | The Guardian — Film |
| Canonical URL | https://www.theguardian.com/film/2026/may/25/why-bound-is-my-feelgood-movie |
| Publication time | Mon, 25 May 2026 09:00:21 GMT |
| Retrieval time | 2026-05-25T09:07:36.534Z |
| Last seen | 2026-05-25T09:07:36.534Z |
| Headline source | Publisher (no WeSearch rewrite) |
| Excerpt source | publisher body |
| Excerpt method | First ~120 words (~800 chars) of extracted publisher body, fair-use limited. |
| Summary | WeSearch · cerebras-chat (WeSearch summarizer) |
| Summary source text | contentText |
| Citation coverage | Summary is a WeSearch-generated derivative; primary citation is the original publisher URL. |
| Cluster | U9DqBI5aeeS2 |
| Cluster logic | Grouped by semantic title/content similarity across sources within a rolling window. Same-publisher template collisions are excluded from coverage comparison. |
| Ranking reason | Story pages are not engagement-ranked. Hub feeds use recency, with optional source-diversified chronological ordering (cap consecutive stories per source). No personalized ranking. |
| Publisher visit | Yes — open original |
| Substitutes article? | No — link-out required for full text |
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| Indexing | May the item be indexed (stored, ranked, made findable)? | Allowed |
| Snippet | May a short excerpt of the publisher's text be shown? | Allowed |
| AI summary | May WeSearch generate its own short summary of the article? | Limited |
| Retrieval / RAG | May the content be exposed for third-party retrieval-augmented generation? | Not asserted |
| Model training | May the content be used to train AI models? | Not asserted |
| Commercial reuse | May the content be reused commercially? | Not permitted |
Basis: Derived from the published RSS/Atom feed. Contact: [email protected]. Reviewed: 2026-07-24.
Opening excerpt (first ~120 words) tap to expand
Jennifer Tilly and Gina Gershon in Bound. Photograph: Pathe/AllstarView image in fullscreenJennifer Tilly and Gina Gershon in Bound. Photograph: Pathe/AllstarMy feelgood movieThrillers‘A masterclass in lesbian eroticism’: why Bound is my feelgood movieThe latest in our ongoing series of writers celebrating their most rewatched comfort films is a pick for 1996’s revealing and relatable romantic thrillerMegan WallaceMon 25 May 2026 05.00 EDTSharePrefer the Guardian on GoogleI’m not necessarily inclined towards what might typically be dubbed “feelgood”. No, you won’t find me seduced by a happy ending, nor am I partial to the oeuvre of Disney (in fact, I find all the talking animals and poreless princesses a bit grotesque).
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Excerpt limited to ~120 words for fair-use compliance. The full article is at The Guardian — Film.
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