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A reunited Rush closes out its sold-out L.A. run with a spellbinding, mind-bending test of time

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A reunited Rush closes out its sold-out L.A. run with a spellbinding, mind-bending test of time
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Peart joined the band on July 29, 1974, two weeks before the Canadian progressive rock trio’s first U.S. tour. The virtuoso musician and band lyricist died of brain cancer on Jan. 7, 2020, in Santa Monica, Calif., about 20 minutes away from the arena.

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The Globe and Mail publishes from Canada and files mainly under world. We currently carry 1,935 of its stories.

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Original publisherThe Globe and Mail
Canonical URLhttps://www.theglobeandmail.com/culture/article-rush-classic-rock-music/
Publication timeSun, 14 Jun 2026 22:55:54 +0000
Retrieval time2026-06-14T23:02:33.470Z
Last seen2026-06-14T23:02:33.470Z
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Excerpt methodFirst ~120 words (~800 chars) of extracted publisher body, fair-use limited.
SummaryWeSearch · cerebras-chat (WeSearch summarizer)
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Ranking reasonStory pages are not engagement-ranked. Hub feeds use recency, with optional source-diversified chronological ordering (cap consecutive stories per source). No personalized ranking.
Publisher visitYes — open original
Substitutes article?No — link-out required for full text

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Basis: Derived from the published RSS/Atom feed. Contact: [email protected]. Reviewed: 2026-07-24.

Opening excerpt (first ~120 words) tap to expand

Open this photo in gallery:Alex Lifeson and Geddy Lee perform during the final night of Rush's tour-opening four-concert stand at the Kia Forum in Los Angeles on Saturday.Richard Sibbald/SuppliedShareSave for laterPlease log in to bookmark this story.Log InCreate Free AccountOn the final night of its tour-opening four-concert stand at the Kia Forum in Los Angeles, the reunited Rush continued to shake up its set list from one show to the next. Three songs made their tour debut: 1989’s The Pass, 2012’s The Anarchist and 1977’s A Farewell to Kings (which they haven’t played live since 1979, the year Sony introduced its Walkman.)One of the constants over the sold-out run was 1987’s Time Stand Still, with guest appearances from singer Aimee Mann, whose ethereal contribution on the original…

Excerpt limited to ~120 words for fair-use compliance. The full article is at The Globe and Mail.

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