‘Amma Ariyan’: Restored version of Kerala filmmaker John Abraham’s cult classic to premiere at Cannes
Forty years after its creation, John Abraham's cult classic 'Amma Ariyan' is set to premiere in a 4K restored version at the Cannes Film Festival 2026. The restoration was completed by the Film Heritage Foundation after a five to six-year effort, marking the only Indian feature selected for world premiere at the festival this year. The film, originally produced through public contributions by the Odessa Film Collective, has gained enduring acclaim for its political depth and innovative form.
- ▪'Amma Ariyan' is being restored and will have its world premiere at Cannes Film Festival 2026, 40 years after its creation.
- ▪The restoration was led by the Film Heritage Foundation, using a surviving unsubtitled print since no original camera negative was available.
- ▪The film was collectively produced through public donations and never had a theatrical release, yet it developed a cult following over time.
- ▪Bina Paul, the film’s editor, emphasized its timeless relevance and the importance of introducing it to younger audiences.
- ▪Cannes Classics head Gerald Duchaussoy praised the film as one of the best received this year, highlighting its intensity and visual style.
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| Canonical URL | https://www.thehindu.com/news/national/kerala/kerala-filmmaker-john-abrahams-cult-classic-amma-ariyans-restored-version-to-premiere-at-cannes/article70956305.ece |
| Publication time | Sun, 17 May 2026 18:07:45 +0530 |
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Forty years after John Abraham made Amma Ariyan, one of the remarkable independent films to come out of Kerala, a 4K restoration of the film is set to be premiered at the Cannes Film Festival 2026. The film, with a cult following, restored by the not-for-profit organisation, Film Heritage Foundation (FHF), is the only Indian feature film selected for world premiere at the festival this year. The premiere is scheduled on May 16.John, who began working on the film based on a sliver of an idea based on the suicides of persons associated with the Naxalite movement, followed an alternative method of production and distribution with his friends at the Odessa Film Collective.
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