‘Backrooms’ Setting A24 Record With $80M-Plus Opening, Focus’ ‘Obsession’ Making Box Office History in Third Weekend
A24's film 'Backrooms' is set to achieve a record-breaking opening weekend, projected to earn over $80 million. The film, directed by Kane Parsons, has already garnered significant attention after earning $38 million on its opening day. Meanwhile, Focus Features' 'Obsession' continues to perform well, making history as the first film outside of Christmas to see an increase in box office earnings for its second and third weekends.
- ▪'Backrooms' is projected to earn at least $80 million in its opening weekend, potentially reaching $90 million.
- ▪The film follows a failed architect who discovers an endless series of rooms in a furniture store.
- ▪'Obsession' has grossed $106.8 million globally, becoming Focus' top movie ever.
The Hollywood Reporter files mainly under film tv. We currently carry 405 of its stories.
Story provenance
Source · retrieval · rights · ranking — open for full record
inspect →
Story provenance
Attribution is not the same as permission. This drawer separates discovery metadata, excerpts, WeSearch-generated summaries, reuse status, and whether the publisher receives the visit. Nothing here claims a legal grant the publisher has not made.
Record
| Original publisher | The Hollywood Reporter |
| Canonical URL | https://www.hollywoodreporter.com/movies/movie-news/backrooms-sets-a24-record-90-million-opening-1236609070/ |
| Publication time | Sat, 30 May 2026 15:37:04 +0000 |
| Retrieval time | 2026-05-30T15:59:38.738Z |
| Last seen | 2026-05-30T15:59:38.738Z |
| Headline source | Publisher (no WeSearch rewrite) |
| Excerpt source | publisher body |
| Excerpt method | First ~120 words (~800 chars) of extracted publisher body, fair-use limited. |
| Summary | WeSearch · cerebras-chat (WeSearch summarizer) |
| Summary source text | contentText |
| Citation coverage | Summary is a WeSearch-generated derivative; primary citation is the original publisher URL. |
| Cluster | rM6oDhmRp_jb |
| Cluster logic | Grouped by semantic title/content similarity across sources within a rolling window. Same-publisher template collisions are excluded from coverage comparison. |
| Ranking reason | Story pages are not engagement-ranked. Hub feeds use recency, with optional source-diversified chronological ordering (cap consecutive stories per source). No personalized ranking. |
| Publisher visit | Yes — open original |
| Substitutes article? | No — link-out required for full text |
Rights status (four layers)
WeSearch handling by dimension
| Indexing | May the item be indexed (stored, ranked, made findable)? | Allowed |
| Snippet | May a short excerpt of the publisher's text be shown? | Allowed |
| AI summary | May WeSearch generate its own short summary of the article? | Limited |
| Retrieval / RAG | May the content be exposed for third-party retrieval-augmented generation? | Not asserted |
| Model training | May the content be used to train AI models? | Not asserted |
| Commercial reuse | May the content be reused commercially? | Not permitted |
Basis: Derived from the published RSS/Atom feed. Contact: [email protected]. Reviewed: 2026-07-24.
Opening excerpt (first ~120 words) tap to expand
Renate Reinsve in 'Backrooms.' A24 Share on Facebook Share on X Google Preferred Share to Flipboard Show additional share options Share on LinkedIn Share on Pinterest Share on Reddit Share on Tumblr Share on Whats App Send an Email Print the Article Post a Comment Logo text Kane Parsons is the new king of the box office with Backrooms. His $10 million adaptation of his viral YouTube short film series is eyeing the biggest opening in A24 history, with at least $80 million. Rival studios even think it could go as high as $90 million. It will easily take the No. 1 spot, after landing around $38 million on Friday, including Thursday previews. It focuses on a failed architect (Chiwetel Ejiofor), who stumbles across an endless series of rooms in the furniture store he manages.
…
Excerpt limited to ~120 words for fair-use compliance. The full article is at The Hollywood Reporter.
Discussion
0 commentsMore from The Hollywood Reporter
