Hannah Einbinder and Jane Schoenbrun on Teenage Sex and Death at Camp Miasma, the best gummies, and Counting Crows
American filmmaker Jane Schoenbrun loves fucked-up horror stories. In 2021, they broke through with We're All Going to the World's Fair, a gnarly coming-of-age story with a creepypasta vibe. Three years later, Schoenbrun delivered the critically heralded I Saw the TV Glow, which used a fictional Buffy the Vampire Slayer-like series to explore emerging trans identity.
- ▪American filmmaker Jane Schoenbrun loves fucked-up horror stories.
- ▪In 2021, they broke through with We're All Going to the World's Fair, a gnarly coming-of-age story with a creepypasta vibe.
- ▪Three years later, Schoenbrun delivered the critically heralded I Saw the TV Glow, which used a fictional Buffy the Vampire Slayer-like series to explore emerging trans identity.
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Story provenance
Attribution is not the same as permission. This drawer separates discovery metadata, excerpts, WeSearch-generated summaries, reuse status, and whether the publisher receives the visit. Nothing here claims a legal grant the publisher has not made.
Record
| Original publisher | Mashable |
| Canonical URL | https://mashable.com/entertainment/camp-miasma-jane-schoenbrun-hannah-einbinder |
| Publication time | Mon, 10 Aug 2026 12:24:46 +0000 |
| Retrieval time | 2026-08-10T12:50:46.293Z |
| Last seen | 2026-08-10T12:50:46.293Z |
| Headline source | Publisher (no WeSearch rewrite) |
| Excerpt source | publisher body |
| Excerpt method | First ~120 words (~800 chars) of extracted publisher body, fair-use limited. |
| Summary | WeSearch · cerebras-chat (WeSearch summarizer) |
| Summary source text | contentText |
| Citation coverage | Summary is a WeSearch-generated derivative; primary citation is the original publisher URL. |
| Cluster | anzken_SwWN7 · 1 stories |
| Cluster logic | Grouped by semantic title/content similarity across sources within a rolling window. Same-publisher template collisions are excluded from coverage comparison. |
| Ranking reason | Story pages are not engagement-ranked. Hub feeds use recency, with optional source-diversified chronological ordering (cap consecutive stories per source). No personalized ranking. |
| Publisher visit | Yes — open original |
| Substitutes article? | No — link-out required for full text |
Rights status (four layers)
WeSearch handling by dimension
| Indexing | May the item be indexed (stored, ranked, made findable)? | Allowed |
| Snippet | May a short excerpt of the publisher's text be shown? | Allowed |
| AI summary | May WeSearch generate its own short summary of the article? | Limited |
| Retrieval / RAG | May the content be exposed for third-party retrieval-augmented generation? | Not asserted |
| Model training | May the content be used to train AI models? | Not asserted |
| Commercial reuse | May the content be reused commercially? | Not permitted |
Basis: Derived from the published RSS/Atom feed. Contact: [email protected]. Reviewed: 2026-07-24.
Opening excerpt (first ~120 words) tap to expand
American filmmaker Jane Schoenbrun loves fucked-up horror stories. In 2021, they broke through with We're All Going to the World's Fair, a gnarly coming-of-age story with a creepypasta vibe. Three years later, Schoenbrun delivered the critically heralded I Saw the TV Glow, which used a fictional Buffy the Vampire Slayer-like series to explore emerging trans identity. Now, with Teenage Sex and Death at Camp Miasma, Schoenbrun offers a tale of queer joy in the mold of a slasher comedy. SEE ALSO: 'Teenage Sex and Death at Camp Miasma' review: Laughing in the face of 'elevated horror' Hacks' Hannah Einbinder stars as Kris, a queer indie filmmaker entrusted with resurrection the "zombie IP" that is Camp Miasma.
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Excerpt limited to ~120 words for fair-use compliance. The full article is at Mashable.
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