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‘Hope’ Review: Korean Action Maestro Na Hong-jin’s Rip-Roaring Sci-Fi Creature Feature Has Instant Cult Classic Written All Over It

David Rooney· ·7 min read · 0 reactions · 0 comments · 26 views
‘Hope’ Review: Korean Action Maestro Na Hong-jin’s Rip-Roaring Sci-Fi Creature Feature Has Instant Cult Classic Written All Over It
TL;DR · WeSearch summary

Na Hong-jin's film 'Hope' is a thrilling action sci-fi creature feature set in the Korean Demilitarized Zone. The movie showcases impressive cinematography and a gripping score, keeping viewers engaged throughout its lengthy runtime. With a mix of humor and intense action, 'Hope' is poised to become a cult classic.

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The Hollywood Reporter files mainly under film tv. We currently carry 405 of its stories.

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The Hollywood Reporter · David Rooney
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Record

Original publisherThe Hollywood Reporter
Canonical URLhttps://www.hollywoodreporter.com/movies/movie-reviews/hope-review-na-hong-jin-1236598154/
Publication timeSun, 17 May 2026 22:10:00 +0000
Retrieval time2026-05-17T22:33:21.086Z
Last seen2026-05-17T22:33:21.086Z
Headline sourcePublisher (no WeSearch rewrite)
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Substitutes article?No — link-out required for full text

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Basis: Derived from the published RSS/Atom feed. Contact: [email protected]. Reviewed: 2026-07-24.

Opening excerpt (first ~120 words) tap to expand

'Hope' Neon/Courtesy Everett Collection Share on Facebook Share on X Google Preferred Share to Flipboard Show additional share options Share on LinkedIn Share on Pinterest Share on Reddit Share on Tumblr Share on Whats App Send an Email Print the Article Post a Comment There’s a sly sight gag relatively early in Na Hong-jin’s blockbuster-in-the-making, Hope, in which the camera gazes over the wreckage of a rural village in the Korean Demilitarized Zone, lingering just a moment on a propaganda sign reading “Protect the Nation From Infiltration.” It’s a little late to heed that warning even though at that point, the infiltration is still believed to be a single-digit threat.

Excerpt limited to ~120 words for fair-use compliance. The full article is at The Hollywood Reporter.

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