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In Cannes, one moviegoer’s trash is another’s treasure

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In Cannes, one moviegoer’s trash is another’s treasure
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The Cannes Film Festival has showcased two world premieres that have polarized audiences. The first film, 'Hope' by Na Hong-jin, initially impressed with its action sequences but ultimately fell apart due to poor visual effects and a weak story. Critics are divided, with some praising its excess while others deem it a failure, as the festival continues to highlight the contrasting reactions to cinematic works.

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Original publisherThe Globe and Mail
Canonical URLhttps://www.theglobeandmail.com/culture/film-and-tv/film/article-cannes-hope-her-private-hell-winding-refn-na-hong-jin/
Publication timeTue, 19 May 2026 20:44:48 +0000
Retrieval time2026-05-19T20:49:58.459Z
Last seen2026-05-19T20:49:58.459Z
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Excerpt methodFirst ~120 words (~800 chars) of extracted publisher body, fair-use limited.
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ClusterUwPGjZSY7TV9
Cluster logicGrouped by semantic title/content similarity across sources within a rolling window. Same-publisher template collisions are excluded from coverage comparison.
Ranking reasonStory pages are not engagement-ranked. Hub feeds use recency, with optional source-diversified chronological ordering (cap consecutive stories per source). No personalized ranking.
Publisher visitYes — open original
Substitutes article?No — link-out required for full text

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Basis: Derived from the published RSS/Atom feed. Contact: [email protected]. Reviewed: 2026-07-24.

Opening excerpt (first ~120 words) tap to expand

Open this photo in gallery:Swedish actress Alicia Vikander, South Korean director and screenwriter Na Hong-Jin, Canadian actress Taylor Russell and German-Irish actor Michael Fassbender during a photocall for the film 'Hope' at the 79th edition of the Cannes Film Festival in France on Monday.THIBAUD MORITZ/AFP/Getty ImagesShareSave for laterPlease log in to bookmark this story.Log InCreate Free AccountIn the heated, quick-reaction environment of a film festival, one moviegoer’s trash is another’s treasure. But at Cannes this week, there were two world premieres that divided audiences with such full-throated intensity that it was hard to trust my own eyes. To my mind, I had just witnessed a pair of epic-level tire fires.

Excerpt limited to ~120 words for fair-use compliance. The full article is at The Globe and Mail.

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