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Kurosawa Kiyoshi on Cannes Title ‘The Samurai and the Prisoner’: ‘Films Have the Potential to Transcend National Borders’

Naman Ramachandran· ·6 min read · 0 reactions · 0 comments · 33 views
Kurosawa Kiyoshi on Cannes Title ‘The Samurai and the Prisoner’: ‘Films Have the Potential to Transcend National Borders’
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Kurosawa Kiyoshi's latest film, 'The Samurai and the Prisoner,' is set in feudal Japan and explores themes of cowardice and power. The film adapts a Naoki Prize-winning novel and features a warlord forging an alliance with a prisoner who may hold the real power. Kurosawa's interest in the cowardly nature of his protagonist connects this work to his broader filmography, which often examines characters rebelling against societal structures.

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Variety · Naman Ramachandran
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Original publisherVariety
Canonical URLhttps://variety.com/2026/film/festivals/kurosawa-kiyoshi-samurai-prisoner-cannes-1236753306/
Publication timeTue, 19 May 2026 08:00:00 +0000
Retrieval time2026-05-19T08:04:57.437Z
Last seen2026-05-19T08:04:57.437Z
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Basis: Derived from the published RSS/Atom feed. Contact: [email protected]. Reviewed: 2026-07-24.

Opening excerpt (first ~120 words) tap to expand

Home Film Festivals May 19, 2026 1:00am PT Kurosawa Kiyoshi on Cannes Title ‘The Samurai and the Prisoner’: ‘Films Have the Potential to Transcend National Borders’ By Naman Ramachandran Plus Icon Naman Ramachandran Latest Venice Winner Anuparna Roy Sets Sophomore Feature ‘Lovers in the Blue Night’ (EXCLUSIVE) 11 minutes ago Locarno Winners Reunite for Jesse Ball Adaptation ‘Silence Once Begun’ (EXCLUSIVE) 30 minutes ago Raindance Sets Full 34th Edition Lineup, Adds Best Horror Feature Prize as Festival Expands Competition Slate 1 day ago See All ©YH/K/TSATP ©2026 “KOKUROJO” Film Partners Kurosawa Kiyoshi has spent a career trapping his characters in the present tense — in the buzzing infrastructure of contemporary Tokyo, in the ambient dread of the networked age, in the particular horror…

Excerpt limited to ~120 words for fair-use compliance. The full article is at Variety.

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