Scarlett Johansson, Adam Driver, and Miles Teller Deliver a Tender Thriller in Paper Tiger
Paper Tiger, directed by James Gray, is a complex thriller that explores family dynamics and the fear of loss. Set in 1986 Queens, it follows the Pearl family as they navigate personal and financial challenges. The film delves into sibling relationships and the isolation of parenthood, creating a tense atmosphere throughout.
- ▪The film features Scarlett Johansson and Miles Teller as parents Hester and Irwin Pearl.
- ▪Adam Driver plays Gary, Irwin's older brother, who proposes a risky business venture.
- ▪The story highlights the contrasting personalities of the brothers and the impact of their choices on their family.
4 outlets in our directory ran this story, first to last over 17 hours. All of the coverage we found sits in one bucket: lean left. That one-sidedness is itself worth noticing.
- ▪ ‘Paper Tiger’: What The Critics Are Saying About James Gray’s Cannes Film With Adam Driver, Scarlett Johansson & Miles Teller — Deadline
- ▪ ‘Paper Tiger’ Review: Miles Teller and Adam Driver Get Ensnared by the Russian Mob in a James Gray Film With More Atmosphere Than Plausibility — Variety
- ▪ ‘Paper Tiger’ Review: Adam Driver, Scarlett Johansson and Miles Teller Deliver Big Time in James Gray’s Operatically Intense Crime Drama — The Hollywood Reporter
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Story provenance
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Record
| Original publisher | TIME — Top |
| Canonical URL | https://time.com/article/2026/05/15/paper-tiger-review-cannes/ |
| Publication time | Sat, 16 May 2026 21:45:04 +0000 |
| Retrieval time | 2026-05-16T21:50:19.025Z |
| Last seen | 2026-05-16T21:50:19.025Z |
| Headline source | Publisher (no WeSearch rewrite) |
| Excerpt source | publisher body |
| Excerpt method | First ~120 words (~800 chars) of extracted publisher body, fair-use limited. |
| Summary | WeSearch · cerebras-chat (WeSearch summarizer) |
| Summary source text | contentText |
| Citation coverage | Summary is a WeSearch-generated derivative; primary citation is the original publisher URL. |
| Cluster | abjUL3Ml3nyK · 5 stories |
| Cluster logic | Grouped by semantic title/content similarity across sources within a rolling window. Same-publisher template collisions are excluded from coverage comparison. |
| Ranking reason | Story pages are not engagement-ranked. Hub feeds use recency, with optional source-diversified chronological ordering (cap consecutive stories per source). No personalized ranking. |
| Publisher visit | Yes — open original |
| Substitutes article? | No — link-out required for full text |
Rights status (four layers)
WeSearch handling by dimension
| Indexing | May the item be indexed (stored, ranked, made findable)? | Allowed |
| Snippet | May a short excerpt of the publisher's text be shown? | Allowed |
| AI summary | May WeSearch generate its own short summary of the article? | Limited |
| Retrieval / RAG | May the content be exposed for third-party retrieval-augmented generation? | Not asserted |
| Model training | May the content be used to train AI models? | Not asserted |
| Commercial reuse | May the content be reused commercially? | Not permitted |
Basis: Derived from the published RSS/Atom feed. Contact: [email protected]. Reviewed: 2026-07-24.
Opening excerpt (first ~120 words) tap to expand
Some thrillers are enjoyable enough, and suspenseful enough, while you’re watching them, and vaporize the instant the credits roll. But there’s another, much rarer kind of thriller: one that follows you home, giving you the feeling you’re being shadowed by a thief, someone or something who stirs in you a fear of loss that wasn’t there before.Writer-director James Gray’s Paper Tiger—playing in competition here at the Cannes Film Festival—is that second kind, though to even classify it as a thriller risks putting it in a rigid box that can’t hold its complex contours. It’s about a family, a group of people who don’t know how happy they are until suddenly they aren’t.
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Excerpt limited to ~120 words for fair-use compliance. The full article is at TIME — Top.
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