Shocker hit ‘Obsession,’ which has made 100 times its budget, proves horror is Hollywood’s best genre
The horror film 'Obsession' has achieved remarkable success, grossing $84 million globally on a budget of just $750,000. This indie film, directed by 26-year-old Curry Barker, showcases the growing power of the horror genre in Hollywood. With its unique storytelling and lower production costs, horror films are increasingly becoming reliable box office hits.
- ▪Horror film 'Obsession' was made on a budget of $750,000 and has grossed $84 million globally in its first 12 days.
- ▪Director Curry Barker wrote the screenplay while working at a coffee shop and is only 26 years old.
- ▪The success of 'Obsession' highlights the horror genre's ability to attract audiences and compete with major studio films.
New York Post files mainly under news. We currently carry 11,003 of its stories.
Story provenance
Source · retrieval · rights · ranking — open for full record
inspect →
Story provenance
Attribution is not the same as permission. This drawer separates discovery metadata, excerpts, WeSearch-generated summaries, reuse status, and whether the publisher receives the visit. Nothing here claims a legal grant the publisher has not made.
Record
| Original publisher | New York Post |
| Canonical URL | https://nypost.com/2026/05/27/entertainment/shocker-hit-obsession-proves-horror-is-hollywoods-best-genre/ |
| Publication time | Wed, 27 May 2026 15:43:58 -0400 |
| Retrieval time | 2026-05-27T19:48:04.030Z |
| Last seen | 2026-05-27T19:48:04.030Z |
| Headline source | Publisher (no WeSearch rewrite) |
| Excerpt source | publisher body |
| Excerpt method | First ~120 words (~800 chars) of extracted publisher body, fair-use limited. |
| Summary | WeSearch · cerebras-chat (WeSearch summarizer) |
| Summary source text | contentText |
| Citation coverage | Summary is a WeSearch-generated derivative; primary citation is the original publisher URL. |
| Cluster | EjlUAutOJF38 |
| Cluster logic | Grouped by semantic title/content similarity across sources within a rolling window. Same-publisher template collisions are excluded from coverage comparison. |
| Ranking reason | Story pages are not engagement-ranked. Hub feeds use recency, with optional source-diversified chronological ordering (cap consecutive stories per source). No personalized ranking. |
| Publisher visit | Yes — open original |
| Substitutes article? | No — link-out required for full text |
Rights status (four layers)
WeSearch handling by dimension
| Indexing | May the item be indexed (stored, ranked, made findable)? | Allowed |
| Snippet | May a short excerpt of the publisher's text be shown? | Allowed |
| AI summary | May WeSearch generate its own short summary of the article? | Limited |
| Retrieval / RAG | May the content be exposed for third-party retrieval-augmented generation? | Not asserted |
| Model training | May the content be used to train AI models? | Not asserted |
| Commercial reuse | May the content be reused commercially? | Not permitted |
Basis: Derived from the published RSS/Atom feed. Contact: [email protected]. Reviewed: 2026-07-24.
Opening excerpt (first ~120 words) tap to expand
Johnny Oleksinski Movies Shocker hit ‘Obsession,’ which has made 100 times its budget, proves horror is Hollywood’s best genre By Johnny Oleksinski Published May 27, 2026, 3:43 p.m. ET See more of our coverage in your search results. Add The New York Post on Google In the summer, studios and exhibitors usually look to bread-and-butter blockbusters to boost business. This year, those sizzling titles include a new “Spider-Man” and Christopher Nolan’s “The Odyssey.” So, Hollywood wasn’t exactly obsessing over Focus Features’ springtime “Obsession,” a little indie released May 15th that was made for just $750,000 — less than a one-bedroom apartment in Manhattan. The film’s biggest name is Andy Richter.
…
Excerpt limited to ~120 words for fair-use compliance. The full article is at New York Post.