The Venice Biennale and the Art Lover’s Dilemma
The Venice Biennale is an overwhelming and often excessive art event that nonetheless offers profound, unexpected moments for visitors. Despite controversies over the inclusion of certain national pavilions and debates about artistic content, the experience remains deeply personal and emotionally resonant. The festival demands endurance but rewards openness with rare encounters that can stir deep emotional responses.
- ▪The 61st Venice Art Biennale runs from May through November and features thousands of artworks across dozens of locations.
- ▪Controversy arose over the inclusion of the Russian and Israeli Pavilions, sparking debates about censorship and complicity.
- ▪Conservators from Save Venice were actively restoring a Carpaccio painting near the Biennale site, highlighting ongoing efforts to preserve the city’s artistic heritage.
- ▪Arthur Jafa’s video work Love Is the Message, the Message Is Death was noted for its emotional impact.
- ▪The Biennale includes pavilions in the Giardini and other venues, drawing diplomats, collectors, and press from around the world.
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| Canonical URL | https://www.theatlantic.com/culture/2026/05/venice-biennale-and-art-lovers-dilemma/687188/?utm_source=feed |
| Publication time | 2026-05-16T08:00:00-04:00 |
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CultureThe Venice Biennale and the Art Lover’s DilemmaThe festival is excessive, at times preposterous. But it can still yield moments of profundity.By Sebastian Smee"Il Gesto," by the French artist JR, on the facade of Ca’ del Mosto near the Rialto bridge, during the 61st Venice Art Biennale. (Marco Bertorello / AFP / Getty)May 16, 2026, 8 AM ET ShareSave The forced excitement accompanying each new iteration of the Venice Biennale, I’ve heard it said, is akin to a faked orgasm—at some point, it’s probably better to stop.
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