Trash hits! Why a wave of hedonistic, feral female pop stars are rejecting respectability
A new wave of female pop stars is embracing a hedonistic and rebellious aesthetic in their music. Artists like Slayyyter and Tove Lo are rejecting traditional notions of respectability with bold lyrics and a carefree attitude. This trend reflects a broader cultural shift towards embracing chaos and fun amid global uncertainties.
- ▪In 2026, female pop stars are defying societal expectations with brash electronic music and hedonistic themes.
- ▪Artists such as Slayyyter and Tove Lo are celebrating a carefree lifestyle and rejecting the pressure to conform to traditional femininity.
- ▪The current music scene is influenced by a post-lockdown nihilism and a revival of early 2000s pop culture.
The Guardian — Music publishes from United Kingdom and files mainly under music. We currently carry 10 of its stories.
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| Original publisher | The Guardian — Music |
| Canonical URL | https://www.theguardian.com/music/2026/may/22/trash-hits-hedonistic-feral-female-pop-stars-rejecting-respectability-slayyyter-cobrah |
| Publication time | Fri, 22 May 2026 07:00:53 GMT |
| Retrieval time | 2026-05-22T07:32:00.884Z |
| Last seen | 2026-05-22T07:32:00.884Z |
| Headline source | Publisher (no WeSearch rewrite) |
| Excerpt source | publisher body |
| Excerpt method | First ~120 words (~800 chars) of extracted publisher body, fair-use limited. |
| Summary | WeSearch · cerebras-chat (WeSearch summarizer) |
| Summary source text | contentText |
| Citation coverage | Summary is a WeSearch-generated derivative; primary citation is the original publisher URL. |
| Cluster | KzmDjQ364Mxz |
| Cluster logic | Grouped by semantic title/content similarity across sources within a rolling window. Same-publisher template collisions are excluded from coverage comparison. |
| Ranking reason | Story pages are not engagement-ranked. Hub feeds use recency, with optional source-diversified chronological ordering (cap consecutive stories per source). No personalized ranking. |
| Publisher visit | Yes — open original |
| Substitutes article? | No — link-out required for full text |
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| Indexing | May the item be indexed (stored, ranked, made findable)? | Allowed |
| Snippet | May a short excerpt of the publisher's text be shown? | Allowed |
| AI summary | May WeSearch generate its own short summary of the article? | Limited |
| Retrieval / RAG | May the content be exposed for third-party retrieval-augmented generation? | Not asserted |
| Model training | May the content be used to train AI models? | Not asserted |
| Commercial reuse | May the content be reused commercially? | Not permitted |
Basis: Derived from the published RSS/Atom feed. Contact: [email protected]. Reviewed: 2026-07-24.
Opening excerpt (first ~120 words) tap to expand
L-R: Tove Lo, Slayyyter and Cobrah. Composite: Guardian Design; Todd Owyoung;Matt Winkelmeyer/Getty Images; Chelsea Blair/ShutterstockView image in fullscreenL-R: Tove Lo, Slayyyter and Cobrah. Composite: Guardian Design; Todd Owyoung;Matt Winkelmeyer/Getty Images; Chelsea Blair/ShutterstockPop and rockTrash hits! Why a wave of hedonistic, feral female pop stars are rejecting respectabilityIn a collapsing world, artists like Slayyyter and Cobrah are chasing extreme highs with hyperactive music and debauched lyrics. Is their trashy vibe emancipating – or a bit contrived?Hannah EwensFri 22 May 2026 03.00 EDTSharePrefer the Guardian on GoogleIf any year demanded a soundtrack of self-aggrandising female mayhem, it’s 2026.
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Excerpt limited to ~120 words for fair-use compliance. The full article is at The Guardian — Music.
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