UNESCO reviving marble unlay craft through market access and innovation
UNESCO is working to revive the marble inlay craft known as Parchin Kari in Taj Ganj, Agra, by providing artisans with market access and digital innovation. The initiative aims to reposition artisans as active contributors to cultural heritage rather than passive custodians. Despite the challenges faced by many artisans, such as market volatility and lack of support, there are success stories that highlight the potential for growth in this traditional craft.
- ▪Parchin Kari is a centuries-old marble inlay technique that has struggled to survive in modern times.
- ▪UNESCO's project, funded by the Republic of Korea, aims to support artisans through market access and social protection.
- ▪Artisans like Asif are leveraging e-commerce to reach global markets, while others like Islam face challenges due to local market dependencies.
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| Original publisher | Unesco |
| Canonical URL | https://www.unesco.org/en/articles/unesco-reviving-marble-inlay-craft-through-market-access-and-innovation |
| Publication time | Fri, 29 May 2026 01:36:52 +0000 |
| Retrieval time | 2026-05-29T01:59:40.741Z |
| Last seen | 2026-05-29T01:59:40.741Z |
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StoryUNESCO Reviving Marble Inlay Craft Through Market Access And InnovationThe stories of three artisans – Asif, Islam, and Ruksar – reveal the spectrum of challenges and opportunities shaping the future of the craftsmanship in Taj Ganj, Agra17 November 2025In the narrow lanes of Taj Ganj, under the shadow of the World Heritage Site of the Taj Mahal, one of India’s most intricate craft traditions struggles to survive: Parchin Kari, or marble inlay. This centuries-old technique, also known as pietra dura, flourished under the Mughal emperors and remains inseparable from the identity of Agra.
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Excerpt limited to ~120 words for fair-use compliance. The full article is at Unesco.
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