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Werner Herzog in conversation with Paul Cronin (2014)

Farrar, Straus and Giroux· ·12 min read · 0 reactions · 0 comments · 31 views
Werner Herzog in conversation with Paul Cronin (2014)
TL;DR · WeSearch summary

Werner Herzog discusses the misconceptions surrounding his life and work in a conversation with Paul Cronin. He reflects on an incident where he was shot at but remained unfazed, viewing it as an exaggerated moment in American folklore. Herzog also shares his appreciation for Los Angeles, emphasizing its creative energy and cultural significance beyond Hollywood.

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Original article
Work in Progress · Farrar, Straus and Giroux
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Record

Original publisherWork in Progress
Canonical URLhttps://fsgworkinprogress.com/2014/09/26/insignificant-bullets-evil-poachers-and-l-a-culture/
Publication timeSat, 30 May 2026 16:13:11 +0000
Retrieval time2026-05-30T16:29:38.850Z
Last seen2026-05-30T16:29:38.850Z
Headline sourcePublisher (no WeSearch rewrite)
Excerpt sourcepublisher body
Excerpt methodFirst ~120 words (~800 chars) of extracted publisher body, fair-use limited.
SummaryWeSearch · cerebras-chat (WeSearch summarizer)
Summary source textcontentText
Citation coverageSummary is a WeSearch-generated derivative; primary citation is the original publisher URL.
ClusterrxB93qzPMvki
Cluster logicGrouped by semantic title/content similarity across sources within a rolling window. Same-publisher template collisions are excluded from coverage comparison.
Ranking reasonStory pages are not engagement-ranked. Hub feeds use recency, with optional source-diversified chronological ordering (cap consecutive stories per source). No personalized ranking.
Publisher visitYes — open original
Substitutes article?No — link-out required for full text

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Publisher-declared
No publisher-confirmed rights record for this source yet.
Machine-readable
No source-specific machine-readable restriction detected beyond the public feed.
WeSearch interpretation
WeSearch declared handling (basis: Derived from the published RSS/Atom feed). This is WeSearch policy, not a legal grant on the publisher's behalf.
Unknown
Retrieval and training permissions are not asserted unless the publisher confirms them.

WeSearch handling by dimension

Indexing May the item be indexed (stored, ranked, made findable)? Allowed
Snippet May a short excerpt of the publisher's text be shown? Allowed
AI summary May WeSearch generate its own short summary of the article? Limited
Retrieval / RAG May the content be exposed for third-party retrieval-augmented generation? Not asserted
Model training May the content be used to train AI models? Not asserted
Commercial reuse May the content be reused commercially? Not permitted

Basis: Derived from the published RSS/Atom feed. Contact: [email protected]. Reviewed: 2026-07-24.

Opening excerpt (first ~120 words) tap to expand

Most of what we’ve heard about Werner Herzog is untrue. The sheer number of false rumors and downright lies disseminated about the man and his films is truly astonishing. Yet Herzog’s body of work is one of the most important in postwar European cinema. This conversation is excerpted from Werner Herzog: A Guide for the Perplexed, Paul Cronin’s volume of dialogues that provides a forum for Herzog’s fascinating views on the things, ideas, and people that have preoccupied him for so many years. This revised edition of Herzog on Herzog features new interviews discussing Herzog’s films, as well as additional text from Herzog, his collaborator Herbert Golder, physicist Lawrence Krauss, and filmmaker Harmony Korine.

Excerpt limited to ~120 words for fair-use compliance. The full article is at Work in Progress.

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